Professor Holly Rogers

Listening Through Social Media: Soundscape Composition, Collaboration and Networked Sonic Elongation Rogers, Holly. 2023. Listening Through Social Media: Soundscape Composition, Collaboration and Networked Sonic Elongation. In: Holly Rogers; Joana Freitas and João Francisco Porfírio, eds. Remediating Sound: Repeatable Culture, YouTube and Music. London: Bloomsbury Academic, pp. 113-144. ISBN 9781501387326

“Welcome to your world”: YouTube and the Reconfiguration of Music’s Gatekeepers Rogers, Holly. 2023. “Welcome to your world”: YouTube and the Reconfiguration of Music’s Gatekeepers. In: Holly Rogers; Joana Freitas and João Francisco Porfírio, eds. YouTube and Music: Online Culture and Everyday Life. London: Bloomsbury Academic, pp. 1-38. ISBN 9781501387272

Instruments Rogers, Holly. 2022. Instruments. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 202-226. ISBN 9781108481984

Recording and Production Rogers, Holly. 2022. Recording and Production. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 229-252. ISBN 9781108481984

Music and the Moving Image Rogers, Holly. 2022. Music and the Moving Image. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 295-318. ISBN 9781108481984

Canons Rogers, Holly. 2022. Canons. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 104-128. ISBN 9781108481984

Terence Nance: Random Acts of Flyness Rogers, Holly and Vernallis, Carol. 2021. Terence Nance: Random Acts of Flyness. In: Holly Rogers; Carol Vernallis; Selmin Kara and Jonathan Leal, eds. Cybermedia: Explorations in Science, Sound, and Vision. New York: Bloomsbury, pp. 311-328. ISBN 9780190853617

Ben Salisbury: Scoring Science for Alex Garland. Rogers, Holly; McGrath, John; Vernallis, Carol and Chapman, Dale. 2021. Ben Salisbury: Scoring Science for Alex Garland. In: Holly Rogers; Carol Vernallis; Selmin Kara and Jonathan Leal, eds. Cybermedia: Explorations in Science, Sound, and Vision. New York: Bloomsbury, pp. 130-137. ISBN 9780190853617

Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film Rogers, Holly. 2021. Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film. In: Carlo Cenciarelli, ed. The Oxford Handbook of Cinematic Listening. Oxford: Oxford University Press, pp. 427-449. ISBN 9780190853617

The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch Rogers, Holly. 2019. The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch. In: Carol Vernallis; Holly Rogers and Lisa Perrott, eds. Transmedia Directors: Artistry, Industry and the New Audiovisual Aesthetics. New York: Bloomsbury, pp. 241-270. ISBN 9781501341007

Audio-visual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre Rogers, Holly. 2019. Audio-visual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre. In: Robert Adlington, ed. New Music Theatre in Europe: Transformations Between 1955-1975. Abingdon: Routledge, pp. 79-100. ISBN 9781138323018

‘Audio-Visual Dissonance in Found Footage Films’ Rogers, Holly. 2017. ‘Audio-Visual Dissonance in Found Footage Films’. In: Holly Rogers and Jeremy Barham, eds. The Sound and Music of Experimental Film. New York: Oxford University Press. ISBN 9780190469900

‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’ Rogers, Holly. 2015. ‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’. In: Michael Spitzer, ed. Beethoven. Farnham: Ashgate, pp. 509-521. ISBN 978-1-4724-4030-3

‘Twisted Synaesthesia: Visual Artists and the Music Video’ Rogers, Holly. 2014. ‘Twisted Synaesthesia: Visual Artists and the Music Video’. In: Germano Celant, ed. Music or Art. Milan: Fondazione Prada, pp. 281-288.

‘Music, Sound and the Nonfiction Aesthetic’ Rogers, Holly. 2014. ‘Music, Sound and the Nonfiction Aesthetic’. In: Holly Rogers, ed. Music and Sound in Documentary Film. New York: Routledge, pp. 1-19.

‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’ Rogers, Holly. 2013. ‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’. In: Claudia Gorbman; John Richardson and Carol Vernallis, eds. The Oxford Handbook of New Audiovisual Aesthetics. New York: Oxford University Press, pp. 525-542. ISBN 9780199733866

Multimedia Art: Video Art-Music Rogers, Holly. 2013. Multimedia Art: Video Art-Music. In: Tim Shepherd and Anne Leonard, eds. Routledge Companion to Music and Visual Art. New York: Routledge, pp. 367-375. ISBN 9780415629256

‘Spatial Reconfiguration in Interactive Video Art-Music’ Rogers, Holly. 2013. ‘Spatial Reconfiguration in Interactive Video Art-Music’. In: Karen Collins; Bill Kapralos and Holly Tessler, eds. The Oxford Handbook of Interactive Audio. Oxford: Oxford University Press, pp. 15-30. ISBN 9780199797226

‘Death for Five Voices: Gesualdo’s “poetic truth”’ Rogers, Holly. 2012. ‘Death for Five Voices: Gesualdo’s “poetic truth”’. In: Brad Prager, ed. A Companion to Werner Herzog. Hoboken, N.J: Wiley-Blackwell, pp. 187-207. ISBN 978-1-4051-9440-2

‘“Noises, Sounds and Sweet Airs”: Singing the Film Space in Prospero’s Books’ Rogers, Holly. 2008. ‘“Noises, Sounds and Sweet Airs”: Singing the Film Space in Prospero’s Books’. In: David Cooper, ed. Cinemusic: Constructing the Film Score. Cambridge: Cambridge Scholar's Publishing, pp. 141-164.

Professor Holly Rogers

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